Maura Reilly (New York: Thames and Hudson, 2015), 15.ģ Linda Nochlin, “Why Have There Been No Great Women Artists?,” ARTnews 69, no. Ģ Maura Reilly and Linda Nochlin, “A Dialogue with Linda Nochlin, the Maverick She,” in Women Artists: The Linda Nochlin Reader, ed. Unless otherwise indicated, translations are mine.ġ Gloria Steinem, “Living the Revolution: Commencement Address at Vassar College” (May 31, 1970), reprinted in Vassar: The Alumnae/i Quarterly 98, no. For their close readings, I would also like to thank Michael Alpert, Juliet Spies-Gans, and the two anonymous reviewers for The Art Bulletin. I am exceedingly grateful to the following colleagues and friends for encouraging this piece and engaging with its arguments at key stages of its development: David Bell, Alexander Bevilacqua, Ann Blair, Jennifer Chuong, Patrick Crowley, Dena Goodman, Anthony Grafton, Lynn Hunt, Melissa Hyde, Marion Kadi, Abhishek Kaiker, Jane Kamensky, Abram Kaplan, Madhav Khosla, Joseph Koerner, Ewa Lajer-Burcharth, Naomi Levine, and Sarah Ross.
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